This Month in BM History: March 2020
Still reeling from a fire that struck Aliw Theater five months before, Ballet Manila had to find another venue for its 24th performance season-ender in March 2020.
For the double bill that was Carmina Burana & La Traviata – new choreographies based on familiar music and material – the premiere would be at the Samsung Hall of SM Aura, Bonifacio Global City, Taguig City. More used to the expansive stage of Aliw Theater, the company had to adapt and make the production work despite the limitations of the space and the reality of their situation.
Live orchestra and live singing – originally intended for the twin production merging opera and ballet – had to be dispensed with. But as artistic director Lisa Macuja-Elizalde asserted then, “There is definitely nothing scaled down about the quality of dancing and storytelling on our toes that you will watch.”
Carmina Burana, former Ballet Manila principal dancer Rudy De Dios’ first full-length ballet, is based on medieval Latin poems set to music by Carl Orff. De Dios’ interpretation uses the dramatic music to highlight his story centering on the eternal battle of good versus evil.
In the kingdom of Tezra, the king Solom – with the guardian Spero and the divine help of Agappe – must lead his people in resisting the seductive lure of the villain Atheos. A showdown ensues, with the people ultimately saved but who must always make a conscious choice between virtue and sin.
La Traviata was choreographed by Macuja-Elizalde who considers the opera of the same title as her favorite. “The story lends itself to a ballet so beautifully. It’s simply so romantic and every aria is just so beautiful and moving.”
The dance interpretation focuses on the ill-fated romance between Violetta and Alfredo, which is complicated by the presence of Baron. Though Baron can provide for Violetta’s every whim, it is Alfredo whom she truly loves.
Despite a more modest staging of Carmina Burana & La Traviata (A Double Bill), Macuja-Elizalde declared: “Nothing can take the place of an excellent performance and great dancing – the kind of dancing that takes many years of practice to achieve.”