The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
In 1996, Ballet Manila invited the Krasnoyarsk Ballet to the Philippines for a series of full-length productions
In this lookback, we present the ways Ballet Manila has made a point – literally and figuratively – with swords. Ready, set, on guard!
Choreographed by BM’s co-artistic associate Gerardo Francisco Jr. and guest choreographer Martin Lawrance to the original music of National Artist Ryan Cayabyab, it returned to the Aliw Theater this weekend, offering a visual feast with the masterful storytelling.
Turning 61 on October 3, Macuja Elizalde reflected on how relying on those same values can shape anyone’s journey.
The first ballet adaptation of Francisco Balagtas’ epic poem, using a libretto written by Dr. Michael Coroza, Florante at Laura was described by a critic as “a moving experience rich in cultural wisdom and literary depth” shortly after its debut in 2024.
Just three years old in 1998, Ballet Manila had become the busiest ballet company around, with its leaders not even realizing it.
It's a hard life... but if I could, I would do it all again.
Philippine Ambassador to Malaysia Maria Angela Abrera Ponce attended the successful opening night on September 5, and was welcomed by Lisa Macuja Elizalde and Alfren Salgado.
The ballets you do make you into the final product you are. And I had extraordinary partners.
On its milestone Pearl Year, Sofia and Romeo find themselves busier than ever.
Two pairs of principal dancers are stepping into the lead roles of Cinderella and the Prince.
“It’s true what they say about adversity. Never fear it. A kite rises against the wind, and you never really know to what heights you can soar until you spread your wings.”
They would have wanted it to be a surprise – a ballet production paying tribute to Ballet Manila’s first artistic director, Eric V. Cruz, to mark his 60th birthday.
Heroes are made by the paths they choose, not the powers they are graced with.
This celebration of the body, a feast before our souls, offers light and joy.
What is also special about this Don Quixote is that it brings together Lisa, Renata and Kimin who share ballet bonds that run deep.
Asked what her situation was like during the pandemic, Sam says she found herself craving to dance even more.
It was the first time for both to tackle the lead classical roles as professional dancers so they were eager to take on the joint assignment.
