Dissecting dance and choreography in ‘Florante at Laura’
After its world premiere last October 12, Ballet Manila’s Florante at Laura has reaped a generally positive assessment from various quarters. In this feature, we quote dance critic Marge Enriquez in her review for the Philippine Daily Inquirer, focusing on her description of the full-length ballet’s choreography and its dancers and pairing her words with pictures from the performance.
Photos by Giselle P. Kasilag