The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
All in Features
Lisa Macuja-Elizalde and Osias Barroso first performed as Kitri and Basilio in Krasnoyarsk, Russia in 1992.
As the company celebrates its 28th anniversary and begins its 25th performance season, we look back to its beginnings through these keepsakes painstakingly put together in a scrapbook that first year by Ballet Manila pioneer and now co-artistic associate Eileen Lopez.
From the Ballet Manila Archives, we present a virtual scrapbook featuring the thoughts of prima ballerina Lisa Macuja-Elizalde on the iconic role of Juliet and photographs of the times she danced as Shakespeare’s famous heroine.
We recall Ballet Manila’s memorable moments in 2022 as it spread its wings to fly once more.
Now that Abi’s wearing glass slippers once more as the heroine of Lisa Macuja-Elizalde’s Cinderella, we decided to have another talk with her focusing on… what else but shoes!
With this year’s Cinderella being the third time they’ll take on the leading roles, we cannot help but wonder if Abi and Mark are still excited as the first time they danced in it.
Ballet Manila artistic director Lisa Macuja-Elizalde has been a bookworm since she was a child.
In scenes fraught with heart-wrenching anguish, Ballet Manila has artfully merged death and dance.
As a Halloween special, we present a rogue’s gallery from Ballet Manila’s productions of the classics over the years.
In observance of United Nations Day, we take a look at this scene of delightful pageantry as Ballet Manila performed Act 2 of the beloved holiday show in Nutkraker: Pasko na Naman Muli (2014).
As the company celebrates this union made in ballet heaven, we look back on some of the most romantic and iconic ballet roles that the newlyweds have performed over the years.
“I love to teach. There are times when the energy I put into teaching far exceeds that which I put onstage dancing.”
The comeback is significant since, as the show’s title implies, it signals a new beginning for the company.
