The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
Today, Lyssa is so thankful that she made that decision to commit to ballet, as she finds so much joy in it despite the many hardships it entails.
As the literary world commemorates the 402nd death anniversary of William Shakespeare, Ballet Manila celebrates his genius by remembering the company's performances of one of his most-beloved plays: Romeo and Juliet.
Love for nature and environmental protection are the themes underscored in Alamat: Si Sibol at Si Gunaw, which Ballet Manila premiered in 2009.
This is most commonly seen as an end to a step like a pirouette.
Seventy-five dancers from all over the Philippines will participate in the Asian Grand Prix International Ballet Competition Regionals being held for the first time in Manila
How 16-year-old Rafael "Paeng" Perez ended up in ballet seems to be the typical story of a boy who stumbles upon it.
Ballet Manila’s epic retelling of the Filipino legend about a mythical bird with an enchanting voice – to be brought to Israel in July – has cast its spell anew, bagging six trophies in the recent 10th Gawad Buhay awards.
With “Ballet for the people” as its mantra, Ballet Manila has pursued various opportunities since its inception to make the dance form accessible to a broad range of audiences.
In this episode, we talked to soloist Alvin Santos last February about his shoes, planting kangkong in Pangasinan, and returning to the happiest place on earth.
While it's enough for most parents to assure that their sons and daughters make it to their dance training, there are those who choose to do more to support their children's dreams.
An Arabesque describes the position where the dancer has one leg stretched directly behind them.
That Alvin Dictado was born for the stage is the first thing that comes to mind when you meet this teenage danseur.
So the darkness shall be light, and the stillness the dancing.
In March 2008, National Artist for Music Lucrecia “Tita King” Kasilag – already blind and weakened by age – would present what was to be her last major opus.
Gian Nathalie C. Francisco may not remember the very first ballet she'd seen, but she sure recalls what she felt when the performance ended: that she wanted to be a ballerina herself.
One of Osias Barroso’s earliest assignments as a choreographer was also among the most challenging.
Pas de Chat is a classical ballet term meaning “Step of a Cat” as the step resembles a cat-like jump.
Coming from a neighborhood that has produced a lot of talented danseurs, Sixto didn’t hesitate about auditioning for the Project Ballet Futures (PBF) scholarship program.
