The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
“I decided that my one activity would be ballet, and I’m very glad that it turned out to be something that I enjoy,” shares Akari.
In his welcome remarks, Ambassador Haneda congratulated Ballet Manila on the success of its recently concluded 23rd season, saying how fortunate he was to have watched the final show, Deux, and to have seen the five Japanese dancers perform in it.
Most people know Lisa Macuja-Elizalde as the prima ballerina. But for me she is, quite simply, “Mama.”
In their early teens when they first started learning ballet, brothers Emmerson and Eduardson Evangelio would encounter many hurdles that could have discouraged them from dancing.
Dancing with a company that subscribes to the Russian Vaganova training method, it is perhaps no surprise that Ballet Manila company artist Emma Harris points to Backstage at the Kirov as her film of choice.
To Piqué is to describe a movement where a transfer of weight occurs.
Second of a series: Inspired by the 10-year challenge, the Ballet Manila Archives searched for images featuring some of the company’s artists during their earlier dancing days and more recent ones showing what they look like today.
In this edition of 20 Questions, company artist John Ralp Balagot talks about his favorite food that he cooks himself.
On two moonlit nights in April 1996, Ballet Manila presented the world premiere of Osias Barroso’s historical dance-drama, Gabriela ng Vigan.
Since coaching and being an older brother to the others came naturally to him, the transition from danseur to a teacher was not so difficult for Robert.
The kilt is most commonly seen in the ballet La Sylphide, as worn by the character James.
In a society that worships love, freedom, and beauty, dance is sacred. It is a prayer for the future, a remembrance of the past and a joyful exclamation of thanks for the present.
Asked if they’re ready to work as soloists, the three admit that they are nervous of the pressures that come with the job; but really, more than anything, they are excited.
“Do your best; huwag kabahan; isipin n’yo ‘yung mga pina-practice n’yo, sayang! “
Evidently, Pia and Mark are up to the challenge of being Ballet Manila’s principals, as well as any task that would take them beyond their comfort zones.
A total of fifty-seven contenders joined the 2019 AGP Regional Competition in Manila.
While he is not yet leaving the company, Rudy De Dios will be relinquishing his position as principal dancer when the next season begins in September.
The Hong Kong-based Asian Grand Prix International Ballet Competition will hold its regional competition in Manila for the second consecutive year on April 6 and 7 at Star Theater in Pasay City, with Ballet Manila as local co-organizer.
