The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
Ballet Manila toasts motherhood in all its forms in this virtual exhibition to mark Mother’s Day.
Carmen, the tale of tragedy and passion interpreted in dance by Ballet Manila artistic director Eric V. Cruz, went centerstage at the appropriately intimate Tanghalang Aurelio Tolentino (CCP Little Theater) in May 1, 1996.
The life lessons that we hold most dear have come from dance. Dance is storytelling and language; it is a means of expressing emotions both powerful and beautiful.
Gathering photographs from the Ballet Manila Archives, we present the vibrant and the somber, the heavenly to the earthy, in a series of virtual exhibitions – one shade at a time.
This year however, due to the pandemic, organizers had to adapt, coming up with Sayaw Pinoy Goes Virtual, a first for the festival.
Everything starts with movement – an instinct we all have – and dance is movement refined to communicate.
It takes years of preparation, hard work, and diligence to become a dancer, but it also takes a spirit of fun mixed with adventure.
Anyone who follows Ballet Manila soloist Joshua Enciso in social media knows that his artistic pursuits go beyond ballet.
Ballet Manila scholar Juan Angelo De Leon, 12, has been named as a participant in the London-based Royal Ballet School’s exclusive International Scholar Programme this year.
In this slideshow are scenes from the 2009 performance of Alamat: Si Sibol at si Gunaw with prima ballerina Lisa Macuja-Elizalde as Luningning, with Nazer Salgado as Kapuy, Yanti Marduli as Sibol and Francis Cascano as Gunaw.
Butterflies inspired Spanish choreographer David Campos Cantero to create Velvet Wings for Ballet Manila in 1998.
In 2020, Ballet Manila was set to bring Ibong Adarna on a national tour in a co-production between Project Art and the Manila Broadcasting Company.
Since the inception of Ballet Manila’s summer workshop over 20 years ago, the company and the school have taken extraordinary pride in their recitals.
The festival – dubbed Shwak! Buhay na ang SuBAC – kicked off on April 16 with a motorcade followed by ribbon-cutting rites, the blessing and a theater tour of SuBAC, and cocktails.
A loving and careful mother both recognizes and even protects her daughter’s autonomy and also helps her dance out confidently on to a wider stage.
Used to having days packed with company classes and rehearsals, principal dancer Joan Emery Sia saw the March 2020 lockdown as nothing else but a two-week opportunity to rest and recharge for what was to come for Ballet Manila.
Put on your favorite upbeat worship music and dance your heart out for ten minutes. Remind yourself that Jesus has come so that you can live life to the fullest and that He has joy for you today.
Unlike other ballet versions of Carmina Burana, however, Rudy’s interpretation was based on the text of the music to ensure that the lyrics and the movements are all in sync.
