The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
Among the new faces to play the story’s evil sorcerer Von Rothbart are soloist John Ralp Balagot and company artist Rodney Catubay.
Follow your passion. Find that something that makes you want to work at it. Work hard. Nothing comes without hard work.
“The audience was so enthralled by the 21-member troupe’s stirring performance of pure energy.”
“It’s part of being professional. It’s the training. It’s the respect.”
Almost marking a decade since he first started in Project Ballet Futures, Sixto knows that more challenges will come, but he’s sure about staying in ballet and working hard at getting better.
I’m trying to make the perfect dance, that’s what drives me.
On June 1, 2013, Ballet Manila presented a special production – a gathering of Filipino ballet stars working with various companies around the world.
Asked what she missed exactly about Ballet Manila, this artist points at the very mission of the company: to bring ballet to the people.
As we observe Father’s Day, we take a look at these paternal figures who have graced the stage and made their mark for good or bad.
Dance form is logical, but it is all in the realm of feeling, sensitivity and imagination.
The year 2025 is looking good for Project Ballet Futures (PBF) scholar Angelou Gamayon.
Ballet Manila’s recent staging of Swan Lake brought two artists from the San Francisco Ballet to the Philippines to dance the role of Prince Siegfried: principal Esteban Hernández and soloist Nathaniel Remez.
Ballet Manila’s recent Swan Lake production marked the much-awaited homecoming of the youngest principal that it has had in its 30-year history, Katherine Barkman.
In her reprising of Odette and Odile in Ballet Manila’s upcoming production of Swan Lake, Abi expresses that the two-fold opportunity is extra special – because it’s as if she never stopped dancing the ballet.
Arriving a week before the Swan Lake performances, the three guest artists plunged headlong into rehearsals, working double time to gel with their counterparts in Ballet Manila
“There really is no villain role like Rothbart. I’m very blessed to be given the opportunity to play him.”
In this clip, we hear the voice of Shaz explaining the many challenges of becoming Prince Siegfried.
