All tagged Eduardo Espejo
Ballet Manila is radiant in red.
Here’s a look at how Ballet Manila has portrayed these fascinating characters in its productions over the years.
Ballet Manila is seductive in black.
Ballet Manila is inspiring in blue.
This clip shows a 1998 performance of pioneer principal dancer Osias Barroso, as well as photographs of former soloist Alvin Santos, soloist Joshua Enciso, and principal dancer Romeo Peralta who are among the many danseurs who have taken on the lead role in Nais Ko.
We take a look at how uniformed characters – including a platoon of female toy soldiers – have made their mark in Ballet Manila productions.
It is this flair for the dramatic that makes Prince Siegfried a much sought-after role among male ballet dancers.
As part of Valentine month, we present some of the company’s dancers who have portrayed Romeo and Juliet, their photographs paired with lines from Shakespeare’s enduring masterpiece.
Staging the full-length Don Quixote in 1999 – just two years after its founding – was a major achievement for Ballet Manila given its still modest size then.
Barely two months after forming themselves into a new dance group, Ballet Manila – composed of twelve dancers under the leadership of artistic director of Eric V. Cruz – made its debut on February 17, 1995.
Dance with me showcased nearly 30 photographs measuring 20” x 30”, each one focusing on movement rather than on poses.
On February 17, 1995, during Ballet Manila’s first performance as a company entitled Ballet Manila Dances!, Shaz also debuted as a professional choreographer with In Quest as his first offering.
Ballet Manila wasn’t kidding when it referred to its two-night show in September 1997 as an extravaganza.
Just two years old, Ballet Manila decided to field seven soloists to the 6th Asian Pacific International Ballet Competition held from August 13 to 17, 1997 in Tokyo, Japan.