All tagged Lisa Macuja Elizalde
We caught up with the artistic director at the press launch of Paquita and asked her to flesh out the elements that make this ballet a must-watch.
Ballet Manila is charming in lilac.
With opening night drawing near, Lisa is thrilled to be sharing the ballet that has been keeping her on her toes since March.
In this clip from The Legends and the Classics Encore (2013), Lisa danced as Paquita for the last time with her then dance partner, principal artist Rudy De Dios.
Of all the wonders that the world had to offer, only art promised immortality.
The trip to Krasnoyarsk, in the heart of Siberia, was the fifth for Lisa Macuja and Osias Barroso.
Maybe that’s why Dumaguete is still the kind of city where a ballet like Swan Lake matters. Because we haven’t lost our capacity to believe in beauty.
In celebration of Mother’s Day, we turn the spotlight on these women of many facets – fierce, gracious, hopeful – as they have been portrayed by Ballet Manila.
In what has become an annual tradition for us at the Ballet Manila Archives, we celebrate Flores de Mayo with a showcase of floral-focused scenes at the ballet!
The International Dance Day Festival opens on April 22, with the Ballet Gala slated on April 25, Saturday, at the Samsung Performing Arts Theater of Circuit Makati.
In this video, Lisa is seen putting together the choreography during Paquita’s first rehearsal. Joining her are principal dancers Abigail Oliveiro, Mark Sumaylo and Romeo Peralta Jr.
The lowly broom was a favorite prop in La Fille Mal Gardee, Cinderella and Snow White, figuring in scenes that drew much laughter in between the romance.
Sleeping Beauty will be the shared offering of Ballet Manila and Manila Symphony Orchestra as they open their respective seasons.
In this clip are photos from the show, highlighting the seamless merging of The Dawn’s percussive sound with Ballet Manila’s artistry and technique.
The Dawn of Ballet is a special edition of Ballet Manila’s long-running Ballet & Ballads series, a brainchild of Manila Broadcasting Company chairman Fred J. Elizalde.
Looking back now, Macuja Elizalde believes everything that has happened in her career was destiny, particularly the detour in 1986 which brought her back to the land where was born and raised – and got her first taste of ballet.
As we gallop into the Year of the Horse, we revisit a trio of Ballet Manila productions that have featured the equine image and the role it played in each story.
Ballet Manila is sultry in red.
Ballet Manila is into the clouds.
As the company gears for another busy and prolific season, we look back on some highlights of 2025 for that extra boost of inspiration.