The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
All tagged Osias Barroso
It is one of the most coveted roles in classical ballet. Very few remember, however, that the male lead of Giselle was originally named Albert, Duke of Silesa, rather than Count Albrecht.
As Giselle returns to the stage on August 31 and September 1 at Aliw Theater, we look back to the company’s many performances of the classic and celebrate Ballet Manila’s history of excellence.
One of the most successful Romantic ballets ever to grace the stage, Giselle tells the story of love, loss, forgiveness and redemption that has resonated among balletomanes for over one hundred years.
As this year’s sweltering summer draws to a close, we celebrate the fan and take a breezy look at the varied forms and functions this implement has taken in Ballet Manila’s productions.
To celebrate May, the month of flowers, we once again pluck images from the Ballet Manila Archives featuring an assortment of blooms in the company’s shows. Enjoy this year’s lovely bouquet!
Ballet Manila has staged its fair share of Romeo and Juliet productions and in this feature – to observe both Shakespeare Day and World Book and Copyright Day – we present clips of the pas de deux in three versions it has performed, as choreographed by Sergey Vikulov, Paul Vasterling and Martin Lawrance.
On April 19, 2002, Ballet Manila was the featured guest in Intramuros Evenings, a performing arts series hosted by the Intramuros Administration at the Puerta Real Gardens located inside the famed Walled City of Manila.
The unbreakable bond of family is the focus of Ang Kapatid Ng Tatlong Marya, the second story in Ballet Manila’s upcoming season production: Tatlong Kuwento Ni Lola Basyang.
In this clip from 2009, artistic director Lisa Macuja Elizalde and Rudy De Dios as the princess and the prince are seen celebrating with the people as the kingdom is saved from their enemies by the bird prince and his feathered friends.
While Lisa Macuja Elizalde’s Le Corsaire – Ballet Manila’s first production for its 26th performance season – is done, dusted, and relegated to the archives of the company, the show continues to weigh intensely in the minds of co-artistic associates Eileen Lopez and Gerardo Francisco Jr.
In 2015, Ballet Manila celebrated its 20th anniversary with a repertoire that summarized five things that the company has stood for since its inception.
After the action-packed pirate adventure Le Corsaire, Ballet Manila is bringing back Tatlong Kuwento ni Lola Basyang as the second production in its 26th performance season dubbed “Ballet Masterpieces.”
Combining his words from that interview and images from BM’s Le Corsaire over the years, this clip pays tribute to the Ballerina’s Prince who set the bar high for all Conrads that came after him.
As Ballet Manila prepares for a new staging of Le Corsaire — a version choreographed by artistic director Lisa Macuja Elizalde — on February 24 and 25 at the Aliw Theater, we look back at the company’s first and latest performances of this beloved pirate adventure.
When Ballet Manila staged its first-ever Le Corsaire in 1998, it did so on a grand scale.
It will indeed be a hectic year for Ballet Manila as revealed in a media conference by artistic director Lisa Macuja Elizalde, noting that the full slate of performances is a tribute to her late beloved dance partner, co-artistic director and friend Osias Barroso Jr. who passed away last December 16.
