This Month in BM History: March 1998
Ballet Manila’s Melanie Motus (second from left) and three dancers of Krasnoyarsk Ballet perform as the Cygnets in Swan Lake. Photo from the Ballet Manila Archives collection
As a touring ensemble of just twelve dancers when it began in 1995, Ballet Manila was able to travel handily from A to Z – Abra to Zamboanga – for performances that lived up to its ideal of bringing ballet to the people.
Ballet Manila premiered Swan Lake to kick off its first season at GSIS Theater, as indicated in this newspaper announcement. From the Ballet Manila Archives collection
In 1998, the company had grown a bit but still not quite big enough to be able to stage the full-length ballet classics that it so wanted to do in the Philippines. Thus, it invited Krasnoyarsk Ballet for a collaboration that would cast Russian dancers alongside their Filipino counterparts.
To mount the four-act Swan Lake in March 1998, then co-artistic associate Lisa Macuja-Elizalde sought the help of her mentor back in St. Petersburg. Tatiana Alexandrovna thus came to Manila, along with her husband, People’s Artist of Russia Serguie Vikulov – to ensure that the production would adhere to the classic Lev Ivanov-Marius Petipa choreography.
Cover of the souvenir program of Swan Lake. The production was also brought on tour to Cebu, Bacolod and Iloilo before its debut in Manila. Photo from the Ballet Manila Archives collection
Alternating in the major roles were: as Odette – Elline Damian, Aileen Gallinera, Melanie Motus, Natalia Khamikova, Alla Yukhimchuk; as Odile – Pamela Asprer, Aileen Gallinera, Natalia Khamikova; as Prince Siegfried – Osias Barroso, Jeffrey Espejo, Christopher Mohnani, Andrei Asinyarov; Von Rothbart – Eduardo Espejo, Christopher Mohnani, Alexander Kuimov.
Swan Lake – with its merry band of Filipino and Russian artists (the latter numbering nearly 30 in all) – first had performances in Cebu, Bacolod and Iloilo.
When it premiered in Manila, it was to be a special show too, as it would kick off its first season at the GSIS Theater. For the first time, the vagabond Ballet Manila had a performance venue to call home – at least for a few years, until its very own Star Theater, and later on, Aliw Theater, came along.
Macuja-Elizalde, who was pregnant at the time, was unable to dance in this Swan Lake production. But she could rest easy knowing that Ballet Manila’s other principal artist, Osias Barroso, and the company’s soloists were able to hold their own side by side with the Russian dancers – thanks to their training steeped in the Vaganova tradition and the strict and able guidance of the Vikulovs.
Advertisement of Ballet Manila’s Swan Lake shows Ballet Manila sharing top billing with Russia’s Krasnoyarsk Ballet. From the Ballet Manila Archives collection
