All tagged Jessica Pearl Dames
Every dance you make belongs to you. It is part of your collection. When you think of it like that, you’ll want to make your next routine the best you’ve ever made!
Ballet Manila is rosy in pink.
Depicting death scenes on stage is a tricky balancing act.
“A ballet dancer’s work is never done!” declared Lisa Macuja Elizalde. “We continue to always take class, train, and push our bodies to the limit in order to perform effortlessly on stage.”
Agnes Locsin’s Arachnida is among Ballet Manila’s most performed pas de deux.
We celebrate this day dedicated to paternal figures who show love to their families by providing guidance, support and care with this feature on fathers who have graced the Ballet Manila stage.
Joining the nostalgia bandwagon, we searched the Ballet Manila Archives photo files for this Tatlong Kuwento ni Lola Basyang then-and-now special.
To mark Mother’s Day, we take a quick look at these figures whose maternal instinct – or lack of it – contribute to making each story interesting.
Ballet Manila has staged its fair share of Romeo and Juliet productions and in this feature – to observe both Shakespeare Day and World Book and Copyright Day – we present clips of the pas de deux in three versions it has performed, as choreographed by Sergey Vikulov, Paul Vasterling and Martin Lawrance.
Ballet Manila is regal in blue.
Ballet Manila glows in pastel.
While Lisa Macuja Elizalde’s Le Corsaire – Ballet Manila’s first production for its 26th performance season – is done, dusted, and relegated to the archives of the company, the show continues to weigh intensely in the minds of co-artistic associates Eileen Lopez and Gerardo Francisco Jr.
In this clip are photographs featuring both casts from the season opening performance of Le Corsaire.
You don’t become a success overnight.
After the action-packed pirate adventure Le Corsaire, Ballet Manila is bringing back Tatlong Kuwento ni Lola Basyang as the second production in its 26th performance season dubbed “Ballet Masterpieces.”
In this clip, Pearl performs the dramatic Gulnara Variation from Act 1 while Shaira takes on the solo in the Naila Waltz in Act 3.
Pure entertainment” is how Ballet Manila artistic director Lisa Macuja Elizalde describes Le Corsaire, the pirate adventure which will open the company’s 26th performance season.
Ballet Manila is radiant in red.
Ballet Manila had reason to celebrate in 2023, as it was the year the company was finally able to stage a full season again – live and in the theater – after a three-year drought caused by the pandemic and the loss of its performance venue and home, Aliw Theater, to a fire in 2019.
Even in retirement, The Nutcracker has remained an indelible part of Lisa Macuja-Elizalde’s life. Moreso this year when it has turned out to be a special Nutcracker season for Ballet Manila and the Lisa Macuja School of Ballet, comprised of performances in Taoyuan in Taiwan, and in Manila and in Baguio in the Philippines.