The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
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While Lisa Macuja Elizalde’s Le Corsaire – Ballet Manila’s first production for its 26th performance season – is done, dusted, and relegated to the archives of the company, the show continues to weigh intensely in the minds of co-artistic associates Eileen Lopez and Gerardo Francisco Jr.
In 2015, Ballet Manila celebrated its 20th anniversary with a repertoire that summarized five things that the company has stood for since its inception.
In this clip are photographs featuring both casts from the season opening performance of Le Corsaire.
This clip excerpts the iconic pirate cave scene, featuring six Ballet Manila principal dancers playing the leads in the two casts of Lisa Macuja Elizalde’s Le Corsaire.
Pure entertainment” is how Ballet Manila artistic director Lisa Macuja Elizalde describes Le Corsaire, the pirate adventure which will open the company’s 26th performance season.
Combining his words from that interview and images from BM’s Le Corsaire over the years, this clip pays tribute to the Ballerina’s Prince who set the bar high for all Conrads that came after him.
Of all the classics in Ballet Manila’s repertoire, it’s Le Corsaire that Romeo Peralta Jr. knows quite well – from the most minor of characters to the lead roles.
As Ballet Manila prepares for a new staging of Le Corsaire — a version choreographed by artistic director Lisa Macuja Elizalde — on February 24 and 25 at the Aliw Theater, we look back at the company’s first and latest performances of this beloved pirate adventure.
It will indeed be a hectic year for Ballet Manila as revealed in a media conference by artistic director Lisa Macuja Elizalde, noting that the full slate of performances is a tribute to her late beloved dance partner, co-artistic director and friend Osias Barroso Jr. who passed away last December 16.
In this slideshow, Cinderella is revisited through over 80 photographs capturing the highlights of the fairytale romance, along with the hilarious moments with Cinderella’s stepfamily as well.
Ballet Manila had reason to celebrate in 2023, as it was the year the company was finally able to stage a full season again – live and in the theater – after a three-year drought caused by the pandemic and the loss of its performance venue and home, Aliw Theater, to a fire in 2019.
Combining romance, humor and magic in one thrilling package, Cinderella returns to Aliw Theater on December 25 to 30, with daily shows starting at 4 p.m.
Even in retirement, The Nutcracker has remained an indelible part of Lisa Macuja-Elizalde’s life. Moreso this year when it has turned out to be a special Nutcracker season for Ballet Manila and the Lisa Macuja School of Ballet, comprised of performances in Taoyuan in Taiwan, and in Manila and in Baguio in the Philippines.
Magical. Entertaining. Funny. These were the items that Ballet Manila artistic director Lisa Macuja-Elizalde ticked off her list as she was making the choreography for Cinderella in 2016.
As we celebrate National Poetry Day (November 22), we bring back a poem dedicated to Ballet Manila dancers, pairing it with videos of performances that underscore the meaning behind the lines.
Lisa Macuja-Elizalde’s La Traviata will be gracing two stages this week as Ballet Manila continues its mission to bring ballet to the people.
For Ballet Manila artistic director Lisa Macuja-Elizalde, putting together Dance for Shaz was particularly meaningful as it aimed to celebrate the life and career of her best friend and onstage partner of sixteen years.
Baguio City will witness a showcase of dance like no other as Ballet Manila stages The Silver Gala – spotlighting both the classics and contemporary originals – on October 29 at CAP John Hay Theater.
In a special partnership between Ballet Manila and Areté, Romeo & Juliet goes on a limited run at the Hyundai Hall of Areté at the Ateneo De Manila University on September 16, 3 p.m. and 8 p.m., and September 17, 3 p.m.
