The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
All in Features
Giselle is one of the most dramatic ballets that a ballerina can be privileged enough to dance in, and also one of the most exhausting roles. It’s a story of love so strong that it causes a girl to go mad and dies of a broken heart. It also causes her to rise from the grave and save the same man who wronged her.
Giselle will be on stage for one night on October 17, Thursday at 8 p.m., at the CCP Main Theater.
Begin again. For Ballet Manila artistic director Lisa Macuja-Elizalde, it’s the prevailing thought amid an incomprehensible loss that she is still grappling to make sense of.
Another inspiration for Giselle was reportedly French novelist Victor Hugo’s poem Fantomes, featured in the anthology Les Orientales (1829)
Ballet Manila artistic director Lisa Macuja-Elizalde is eager to bring back her interpretation of Snow White as the company’s 24th season-opener.
Snow White will return to the stage as the initial offering of Ballet Manila’s 24th season, On Pointe, to captivate audiences once more.
For its 24th season-opener, Ballet Manila brings back an iconic female protagonist with skin as white as snow and whose kindness earns her the trust of forest animals and seven dwarfs.
With the celebration of Father’s Day today, seven Ballet Manila artists take a breather from their classes and rehearsals to talk about that one man who has played such a huge part in their lives.
Most people know Lisa Macuja-Elizalde as the prima ballerina. But for me she is, quite simply, “Mama.”
Second of a series: Inspired by the 10-year challenge, the Ballet Manila Archives searched for images featuring some of the company’s artists during their earlier dancing days and more recent ones showing what they look like today.
While he is not yet leaving the company, Rudy De Dios will be relinquishing his position as principal dancer when the next season begins in September.
In this YouTube age where one-minute clips of dancers spinning and executing complicated aerial acrobatics account for most people’s exposure to ballet, teaching the young ballerinas to slow down and focus on deliberate movements was a challenge.
A budding choreographer named Michael Fokine – then only 26 – created a ballet that broke away from the classical ballet tradition championed by Marius Petipa.
If the journey of the Vaganova ballet method were to be charted from its beginnings in Russia, it would show an unlikely destination in the Philippines that then branches out to other points in the Asia-Pacific region.
The 10-year challenge – a game wherein people are encouraged to post photographs of themselves from 10 years ago alongside a current photo – has proven to be a popular source of amusement on social media.
As it welcomes a new year, Ballet Manila celebrates the highlights of 2018,
Sharing their personal thoughts on this special season are company artists Jessica Pearl Dames and Shaira Comeros, BM 2 artist John Carl Concepcion with former Ballet Manila dancer Alvin Santos, Lisa Macuja School of Ballet Manila instructor Sofia Sangco Peralta, and rehearsal mistress Eileen Lopez.
Ballet Manila's latest interpretation of the popular story uses pointe shoes instead of glass slippers, but all the classic elements remain in this pre-holiday spectacle.
Among the most recognizable figures in art, Cinderella – with her glass slipper – has been featured repeatedly and prominently in literature, film, painting, music, dance, and fashion all over the world.
