The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
Two years since its premiere, prima ballerina Lisa Macuja-Elizalde's Cinderella returned to the stage and enchanted its audience once again.
Ballet Manila's latest interpretation of the popular story uses pointe shoes instead of glass slippers, but all the classic elements remain in this pre-holiday spectacle.
In November 2000, Ballet & Ballads was brought on a campus tour in Metro Manila.
Joan believes that Cinderella enchants everyone in the theater in a special way.
To be en pointe is where a dancer has her entire weight on full pointe, over the box of her pointe shoes.
Stepping into Cinderella’s shoes – make that glass slippers – was a dream-come-true for ballerina Abigail Oliveiro.
Joshua Enciso’s first-place finish in the seniors comes on the heels of Ballet Manila’s sweep of the junior male titles last Thursday, with BM 2 members Brian Sevilla, Rafael Perez and Alvin Dictado taking first, second and third prize, respectively.
Three young danseurs of Ballet Manila claimed the top three spots in the junior male category of the Cultural Center of the Philippines Ballet Competition 2018.
Her connection to the company actually started five years ago, when she visited the Philippines for the first time.
The biennial competition, to be held on November 15 and 17 at the CCP’s Tanghalang Aurelio Tolentino, showcases the country’s most promising danseurs and ballerinas.
Ballet Manila artistic director Lisa Macuja-Elizalde is excited over the return of Cinderella, her first full-length choreography which premiered in 2016.
A Classical Tutu is a costume worn by female ballet dancers typically in, although not restricted to, Classical Ballets.
Among the most recognizable figures in art, Cinderella – with her glass slipper – has been featured repeatedly and prominently in literature, film, painting, music, dance, and fashion all over the world.
Like many ballerinas, Ballet Manila 2’s Kong Ke Xin, in her early years, had no clue that regularly attending dance classes would eventually evolve into a profession.
Lisa Macuja-Elizalde's Cinderella is returning to the stage this November.
In October 1995, Ballet Manila also danced at an unconventional hour – at 12 high noon!
Having recently wrapped up their latest staging of Le Corsaire – the eighth time in 20 years – Ballet Manila co-artistic director Osias “Shaz” Barroso sits down for an interview to look back at the company’s history with the colorful pirate epic.
For its third offering in its 23rd performance season, Ballet Manila is bringing back Lisa Macuja-Elizalde's Cinderella.
Before and after class and rehearsals, you will often find dancers warming up or cooling down.
