'Cinderella' returns — Ballet Manila Archives

Oct 26

Oct 26 'Cinderella' returns

For its third offering in its 23rd performance season, Ballet Manila is bringing back Lisa Macuja-Elizalde's Cinderella. Principal dancers Abigail Oliveiro and Joan Emery Sia take on the title role of Cinderella with soloist Mark Sumaylo and principal dancer Rudy De Dios as their respective princes.

Experience the romance, magic, music, and dance at the Aliw Theater on November 24 and December 1 at 6 p.m., and November 25 and December 2 at 3 p.m. Tickets are available at www.ticketworld.com.ph

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Final farewells

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Depicting death scenes on stage is a tricky balancing act.

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Bewitched at the ballet

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In this Halloween feature, we showcase these witches we love to hate who have unleashed their malevolence the Ballet Manila way.

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News

Ballet Manila ready to sprinkle fairy dust in Taiwan with ‘Cinderella’

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The ballet – to be performed today, October 26, 7:30 p.m., at the Taoyuan Arts Center – is part of the ongoing 2024 Taoyuan Iron Rose Art Festival.

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This Month In BM History

This Month in BM History: October 2016

This Month In BM History

Among these musical jewels are three majestic ballet scores – Swan Lake, The Nutcracker and The Sleeping Beauty – which are counted among the works that set the gold standard for classical ballet.

This Month In BM History

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A toast to nations in ‘The Nutcracker’

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With the observance of United Nations Day, we look back at the lively and colorful gathering of countries in The Nutcracker as Ballet Manila has performed it over the years.

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Florante at Laura, the ballet

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Ballet Manila's performance of Florante at Laura is not just a dance but a profoundly moving and inspiring artistic achievement.

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Adolfo’s sin

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Adolfo lacks this kind of acceptance of the “law of Heaven.” Thus, he disrespects and violates it.

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‘Florante at Laura’ in the key of Mr. C

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At 70, National Artist for Music Ryan Cayabyab is specific about the projects he still wants to take on.

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Fathers and sons

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Balagtas' Florante at Laura features two fathers and sons, each with unique and complex dynamics: the noble Duke Briceo and his son Florante of Albania and the ignoble Sultan Ali-Adab and his son Aladin of Persia.

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A nod to the classic: Building the world of Ballet Manila’s Florante at Laura through sets and costumes

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To successfully achieve the cinematic feel for their upcoming production Florante at Laura, Ballet Manila has welcomed to their artistic team two previous collaborators: set designer Mio Infante and the costume design team Make it Happen Workshop.

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