The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
The great thing about Florante at Laura, as the two choreographers point out, is that it has so many varied elements to it
People’s Artist of Russia Sergey Vikulov had choreographed his version of La Fille Mal Gardee (The Naughty Daughter) on Lisa Macuja Elizalde and Osias Barroso back in 1999.
“A ballet dancer’s work is never done!” declared Lisa Macuja Elizalde. “We continue to always take class, train, and push our bodies to the limit in order to perform effortlessly on stage.”
Though Jessa was happy with her strong comeback and eventual promotion to soloist, she knew that there was something extra she could do for herself and for her dancing.
During the ravages of American colonialism in the Philippines in the first half of the twentieth century, he was hailed as a hero and role model by intellectuals and artists who believed in the enlightening power of language and poetry.
In this clip, company artists Noah Esplana and Stephanie Santiago as Aladin and Flerida share romantic moments while being forced apart by principal dancer Mark Sumaylo as Sultan Ali Adab.
True to its core belief in bringing ballet to the people and people to the ballet, Ballet Manila is bringing some of its best choreographies to Petaling Jaya, Malaysia for a special performance this weekend.
In this slideshow are photographs of the performances with Ballet Manila continuing the legacy of the Vaganova method and upholding the highest standards of excellence in the classics.
Though Balagtas’ work may have been based on the Filipino colonial experience in the 19th century, what he discusses is universal and timeless.
Ballet Manila artistic director Lisa Macuja Elizalde’s La Traviata will make its Malaysian premiere as DanceLink Performing Arts presents Ballet Manila’s Greatest Hits at the Stage 1 Theatre of the Petaling Jaya Performing Arts Centre.
There is a reason why the second act of the ballet Giselle is especially haunting. It is dominated by the wilis.
It is one of the most coveted roles in classical ballet. Very few remember, however, that the male lead of Giselle was originally named Albert, Duke of Silesa, rather than Count Albrecht.
Giselle was a peasant girl enjoying the simple things in life. But the dancer that the ballet was choreographed for was anything but.
As Giselle returns to the stage on August 31 and September 1 at Aliw Theater, we look back to the company’s many performances of the classic and celebrate Ballet Manila’s history of excellence.
Here’s a sneak peek into the rehearsals of principal dancer Joshua Enciso as Florante expressing his despair and desperation through dance while tied to a makeshift tree, his movements timed to the music of National Artist Ryan Cayabyab.
For Giselle, one of the most cherished works in classical ballet, world-renowned principal dancer Renata Shakirova and soloist Alexei Timofeyev of the Mariinsky Ballet in Russia, have been flown in to the Philippines to perform with Ballet Manila.
I didn't even know dancing was a profession. I just had to do it.
That weight management comes hand-in-hand with ballet was something that Ballet Manila company artist Elyssabeth Apilado always accepted ever since she was a scholar.
