Ballet Manila caps 2017 with Aliw Award for ‘Ibong Adarna’
Ballet Manila is ending 2017 on a high note, with Gerardo Francisco’s Ibong Adarna winning an Aliw Award as Best Dance Production.
Ibong Adarna, a ballet interpretation of the popular Filipino tale about the titular mythical bird, had its world premiere last August and opened BM’s 22nd performance season.
“We were shocked as we all went on stage. I didn’t really expect it, but of course I am thankful and grateful to receive this recognition,” said Francisco.
Ibong Adarna is his first full-length choreography.
Oliveiro danced the lead in the production, sharing the role with principal dancer Katherine Barkman. Sumaylo meanwhile was Don Pedro, one of the princes.
Both Oliveiro and Sumaylo also received certificates from the Aliw Awards Foundation as finalists in the Best Classical Dancer female and male categories.
Meanwhile, principal dancer Rudy De Dios was named Best Classical Dancer (male), with Sylvia Lichauco receiving the award on his behalf.
“Sobrang saya ko po. First full-length ko at nanalo kaagad (I’m overjoyed. It’s my first full-length and it already won an award),” enthused the choreographer who gave a brief thank-you speech at the Aliw Awards program held at the Manila Hotel on December 19.
In a Facebook post the following day, Francisco thanked the Aliw Awards Foundation anew. He also thanked his Ballet Manila family, making special note of directors Lisa Macuja-Elizalde and Osias Barroso “for placing your trust and confidence in me,” and the dancers who made his creation a reality.
Likewise, he expressed gratitude to the Ibong Adarna team: Diwa de Leon (music); Otto Hernandez (sets and costumes); Jose Aranda (lights); Angela Ureta (script); Sunshine Domine (stage management); and Chevy Salvador (production management). He also cited guests Gia Macuja-Atchison who was the Singing Adarna, and Bodjie Pascua who played the Ermitanyo.
Francisco also remembered to thank his first teacher in his Iloilo hometown, Edwin Duero.
Writing from Japan where she is currently on a family vacation, BM artistic director Lisa Macuja-Elizalde recalled how Ibong Adarna felt so right from the very start.
“We all knew it was going to be a winner from Day 1 when Gerardo started choreographing the first scene. Even without the music scoring completed, the movements were so dynamic, the energy pulsated way across the studio and there was a general excitement with everyone on the project!” Macuja-Elizalde said.
“Each scene was just the right length and the storytelling was very clear. When applause would greet the end of every scene and opening night happened with the spontaneous standing ovation, we all were in tears and I knew that this ballet was going to be in Ballet Manila’s active repertoire for a very long time.”
Even before getting the Aliw Award, Ibong Adarna was already scheduled to go places, literally. It will be taken on a four-city tour of Israel next year, with Ballet Manila being invited to participate in the long-running Karmiel International Dance Festival.
Macuja-Elizalde heaped praises on Francisco and his vision for Ibong Adarna.
“Gerardo is just so genuine. He is a very humble person who is entirely devoted to his art and gives 100% to every task he sets forth for himself to accomplish. Whether it’s dancing and performing, teaching and mentoring or choreographing, Gerardo is always reliable and committed and produces outstanding results. I am so happy that he is part of our Ballet Manila family!”
Asked what he is thinking of doing next, Francisco replied that an Ibong Adarna sequel, another full-length Filipino ballet or a Filipino version of The Nutcracker might be possible.
In congratulating Rudy De Dios, Macuja-Elizalde commented on the contrast between his real-life demeanor and his onstage persona.
“Rudy is such a down-to-earth, self-effacing young man. For such a humble and quiet person, he explodes onstage in personality and technique and is full of surprises, gaining strength, skill and momentum with every role he would perform. Rudy has always been the epitome of a danseur, a very strong and able partner and a technically proficient performing artist who happens to have the light pouncing jump of a tiger! His Romeo, Albrecht and Don Jose are simply ‘to die for’! While he is the first to tell you he could never identify with Prince roles, he is a Prince through and through. I hope he continues to dance for many years to come.”
As with Francisco, Macuja-Elizalde is supportive of De Dios’ dreams as a choreographer. She shared that De Dios will soon be making his first full-length ballet, Carmina Burana, which is being eyed as the opener of BM’s 23rd performance season in 2018.
Macuja-Elizalde also commended Sumaylo and Oliveiro, particularly for being a very strong tandem.
“A dance couple onstage and offstage, they really complement each other. Not only are they so good to look at but they have such winning personalities. They are both very charming and it is really not very hard to fall in love with them. I think that they have also developed a confidence and technical strength in the last season that has resulted in great performances this year. I especially loved their Mercedes and Matador in Don Quixote!”