The Ballet Manila Archives is the repository of documents, print, photographic, audio and video materials and memorabilia relating to the history of Ballet Manila and the life and career of its founder, prima ballerina Lisa Macuja-Elizalde. This site is powered by Ms. Elizalde and Project Art, Inc.
All tagged Rafael Perez
To make his return possible, Paeng addressed the things that were holding him back.
Ballet Manila has highlighted some of these historical figures in choreographies that, while extolling their virtuous traits, also explore inner struggles which humanize them and make them relatable to present-day audiences.
In celebration of National Heroes Day, we look back on a choreography by Ballet Manila artistic associate and principal dancer Gerardo Francisco Jr. on Filipino hero Andres Bonifacio.
Bayani reflects Bonifacio’s willingness to fight, so that the mode is like he is going to battle. In interpreting the piece, Geri advised Niño to internalize those qualities so that the hero’s character would shine through.
Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.
Every day brings a chance for you to draw in a breath, kick off your shoes, and dance.
Last year, tasked to create contemporary pieces for Ballet Manila’s participants in the CCP Ballet Competition, Gerardo Francisco – who is the company’s resident choreographer – decided to revisit the theme.
“It was very fulfilling because it showed off Ballet Manila and the teaching we can offer.”
The Ballet Manila group is led by co-artistic director Osias Barroso who first conducted a workshop for the school in 2018.
Tuloy ang Saya-wan marked a successful collaboration between Ballet Manila and Academy One to raise funds for ballet scholarships.
The show aims to raise funds that will help the two groups sustain their respective ballet scholarship programs.
Ballet Manila joined the nation in celebrating the Philippine Independence Day through a dance concert organized by the National Commission on Culture and the Arts and the SM Mall of Asia.
In his welcome remarks, Ambassador Haneda congratulated Ballet Manila on the success of its recently concluded 23rd season, saying how fortunate he was to have watched the final show, Deux, and to have seen the five Japanese dancers perform in it.
Eight Ballet Manila dancers are moving up the ranks including two to principal position.
A tour en l’air is a jumping movement and it means to turn in the air.
Deux is a toast to the company’s twin forte in both the classics and the contemporary.
As it welcomes a new year, Ballet Manila celebrates the highlights of 2018,
Three young danseurs of Ballet Manila claimed the top three spots in the junior male category of the Cultural Center of the Philippines Ballet Competition 2018.
